FROM
THE SOUL
“Desde
el Alma”
Choreography: Ron & Mary Noble, 1570 N. Kings Valley Hwy Dallas, OR 97338 (503) 623-3782
Nov - Mar
13624 East 51st Lane Yuma, AZ 85367 (928) 345-0760
With
assistance by Larry Caves, Stardust Dance Studio Mesa, AZ
Record: CD
Bailemos Tango “Desde el Alma”, Track 10, Osvaldo Pugliese
Phase: V
Argentine Tango Vals Rdancer@aol.com
Footwork: Opposite, directions for man (lady
as noted) June 2003
Sequence: A(Intro), A,
B, A, C,
C, D, Ending Revised July 2003
- INTRO - |
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1
- 8 |
Partners
4 ft apart M facing WALL W facing M as music begins M WALKS TO W AND ASSUMES
THE EMBRACE POSITION WITH TRAILING FT FREE;;;; ;;;; |
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1-8 |
4 ft apart M facing partner & Wall M walks to W and assumes the Embrace Position facing Wall (M’s R arm around W with his L & W’s R hands joined with heads close together M’s head to the left and W’s head to the right) with trailing ft free;;;; ;;;; |
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9
- 16 |
RIGHT
FOOT BASIC;;;; CRADLE;; TRNG TANGO CLOSE to CP LOD;; |
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1- - 1- - 9-12 1- - 1-3 |
[RIGHT FOOT BASIC] CP
Facing Wall bk R, -, -; sd L, -, -; fwd R outside partner on her R in CBMP,
-, -; fwd & sd L, -, cl R; (W fwd L, -, -; sd R, -, -; bk L in CBMP, -,
-; bk & sd R, -, cross L in front of R;) |
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1-3 1-3 13-14 |
[CRADLE {La Cunita}] Fwd L
trng slightly LF, -, tap R bhnd L; bk R, -, tap L in front of R CP DLW; (W bk
R trng LF, -, tap L in front of R; fwd L, -, tap R bhnd L;) |
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1- - 1-3 15-16 |
[TURNING TANGO CLOSE to CP LOD {La Resolution}] Fwd L trng LF, -, -; sd R, -, cl L to CP LOD; (W bk
R trng LF, -, -; sd L, -, cl R;) |
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- A - |
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1 -
8 |
START
THE BASIC;; LADY’S SENTADA;; OCHO;; TRNG TANGO CLOSE to COH;; |
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1- - 1- 3 1-2 (1- - 1- -) |
[START THE BASIC] Bk R,
-, -; sd L, -, -; (W fwd L, -, -; sd R, -, -;) |
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- - - - - - 3-4 (1- - 1- -) |
[LADY’S SENTADA] Swvl
LF on L, -, -; hold, -, -; (W swiveling 3/8 LF bk L sitting on M’s L knee, -,
-; raise R bent at knee in front of L, -, -;) |
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- - - 1- - 5-6 (1- - 1 - -) |
[OCHO] Swvl RF on L, -, -; in place R, swvl LF, -; (W rec
fwd R, swvl ½ RF, -; fwd L, swvl LF on L to face partner, -;) |
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1- - 1- 3 7-8 |
[TURNING TANGO CLOSE to COH] Fwd
L trng LF, -, -; sd R, -, cl L to CP COH; (W bk R trng LF, -, -; sd L, -, cl
R;) |
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9 -
16 |
RIGHT
FOOT BASIC;;;; CRADLE;; TURNING TANGO CLOSE to RLOD;; |
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1- - 1 - - 9-12 1- - 1- 3 |
[RIGHT FOOT BASIC] CP
Facing Wall bk R, -, -; sd L, -, -; fwd R outside partner on her R in CBMP,
-, -; fwd & sd L, -, cl R; (W fwd L, -, -; sd R, -, -; bk L in CBMP, -,
-; bk & sd R, -, cross L in front of R;) |
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1-- 1- - 13-14 1-- 1- - |
[CRADLE] Fwd L trng
slightly LF, -, tap R bhnd L; bk R, -, tap L in front of R CP DLW; (W bk R
trng LF, -, tap L in front of R; fwd L, -, tap R bhnd L;) |
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1- - 1- 3 15-16 |
[TURNING
TANGO CLOSE to RLOD] Repeat meas.
7-8 of PART A to CP RLOD;; |
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- B - |
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1 -
8 |
START THE BASIC MEN CLOSE;; BACK OCHOs;; W’s MOLINETE M RONDE;;
TURNING TANGO CLOSE to LOD;; |
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1--1-3 1-2 (1--1--) |
[START THE BASIC M CLOSE]
Bk R, -, -; sd L, -, cl R; (W fwd L, -, -; sd R, -, swiveling slightly LF;) |
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1- - 1- - 3-4 |
[BACK OCHOs] Sd L, -, -; sd
R, -, -; (W bk L, swvl ½ RF, -; bk R, swvl ½ LF, -;) |
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1- - 1- - 5-6 123 - - - |
[W’s MOLINETE M RONDE LF] Sd
& fwd L, ronde R LF 1/4, -; fwd R, -, -; (W XLIB, sd R, fwd L; swvl to fc
partner, -, -; |
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7-8 |
[TURNING TANGO CLOSE to LOD)]
Repeat meas. 7-8 of PART A to CP LOD;; |
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9 -
16 |
START
THE BASIC MEN CLOSE;; BACK OCHO;; W’S MOLINETE M RONDE;; TURNING TANGO CLOSE
to RLOD;; |
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9-16 |
Repeat
meas. 1 – 8 of Part B to end CP RLOD;;;; ;;;; |
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- A - |
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1-16 |
Repeat
meas. 1 – 16 of Part A to end CP LOD;;;; ;;;; |
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- C - |
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1 – 12 |
START THE BASIC;; FWD SWVL (LADY’S MOLINETE);; TRAVELING BACK ZIG ZAGS (four times);;;; FWD ZIG ZAGS (four times);;;; |
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1- - 1- - 1-2 |
[START
THE BASIC] CP LOD bk R, -, -; sd
L, -, -; (W fwd L, -, -; sd R, -, -;) |
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1- - - - - 3-4 (1-3 1- -) |
[FWD
SWVL LADY’S MOLINETE] Fwd R, -,
swvl half LF to fc RLOD; hold, -, swvl LF 1/8; (W bk L, -, sd R; XLIF, -,
swvl LF;) |
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1- - 1- - 5-8 1- - 1- - |
[TRAVELING
BACK ZIG ZAG’S (four times)] Backing
LOD bk L, swvl RF 1/4, -; bk R, swvl LF 1/4, -; bk L, swvl RF 1/4, -; bk R,
-, -; (W fwd R, swvl RF 1/4, -; fwd L, swvl LF 1/4, -; fwd R, swvl RF 1/4, -;
fwd L, -, -;) |
1- - 1- - 9-12 1- - 1- - |
[FWD
ZIG ZAG’S (four times)] Fwd L,
swvl LF 1/4, -; fwd R, swvl RF 1/4, -; fwd L, swvl LF 1/4, -; fwd R, swvl RF
to CP RLOD, -; (W bk R, swvl LF 1/4, -; bk L, swvl RF 1/4, -; bk R, swvl LF
1/4, -; bk L, swvl RF to fc ptr, -;) |
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13 -
24 |
THREE
SIDE ROCKS LADY TRAP M SWEEP W’S FT;;;; OCHOS five times;;;; M CLOSE; TANGO CLOSE RLOD;;
ZARANDEO; |
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1- - 1- - 13-16 1- - - - - (1- - 1- - 1- - - - -) |
[THREE
SIDE ROCKS LADY TRAP M SWEEP LADY’S FT {SANDWICH & SACADA}] Sd L,
-, -; sd R, -, -; sd L, slip R between W’s feet next to inside of W’s R, -;
slide R to his right sweeping W’s R, -, swvl RF 1/8; (W sd R, -, -; sd L, -,
-; sd R, -, -; W allows her L to be swept to the side, -, swvl RF 1/8;) |
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1-
- - - -17-20 - - - 1- - (1- - 1- -1- - 1- -) |
[OCHOS
five times] XRIBL, -, -; hold, -,
-; hold, -, -; rec L, -, -; (W XLIF, swvl LF 1/2, -; fwd R, swvl RF 1/2, -;
fwd L, swvl LF 1/2, -; fwd R, swvl RF 1/2, -;) |
1- - 21 |
[M
CLOSE] Cl R to CP LOD, -, -; (W
fwd L swvl LF to fc partner, -, -;) |
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22-23 |
[TANGO
CLOSE (CP LOD)] Fwd L, -, -; sd R,
-, cl L to CP LOD; (W bk R, -, -; sd L, -, cl R;) |
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24 |
[ZARANDEO
(SHAKE)] M twists LF, RF, & bk
to neutral pos. one or two times in the meas; (Lady lifts L leg straight bk
from the knee keeping knees together so the M’s twisting waves the leg bk
& forth;) |
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- C - |
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1-24 |
Repeat
meas. 1 – 24 of PART C to face LOD;;;; |
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- D - |
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1 –
8 |
RIGHT FOOT BASIC MEN TOUCH;;;; SAME FOOT WALK IN 4;;;; |
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1- - 1- - 1-4 1- - 1- - (1- - 1- - 1- - 1- 3) |
[RIGHT
FOOT BASIC MEN TOUCH] CP facing
LOD bk R, -, -; sd L, -, -; fwd R outside partner on her R in CBMP LOD, -, -;
fwd & sd L, -, tch R; (W repeat meas. 9-12 of PART A;;;;) |
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1- - 1- - 5-8 1- - 1- - |
[SAME
FOOT WALK IN 4] Fwd R outside
partner LOD, -, -; fwd L to CP, -, -; fwd R outside partner on her left, -,
-; fwd L outside partner in CBMP SCAR LOD, -, -; (W bk R, -, -; bk L, -, -;
bk R, -, -; bk L, -, -;) |
9 -
16 |
BACK
OCHOS TWICE;; M STOP & TRAP LADY’S FOOT;;; BEHIND; SIDE CLOSE; CORTE WITH
SLOW LEG CRAWL & SLOW RISE; |
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1- - 1 - - 9-10 |
[BACK OCHOS TWICE] Swvl LF to face COH sd R, swvl LF, -; sd L, swvl
RF, -; (W bk R, swvl ½ LF, -; bk L, swvl ½ RF, -;) |
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--- 1- - 11-13 1- - (1- - - - - - - -) |
[M STOP & TRAP LADY’S FOOT] Slide inside edge of R without wt to the outside edge of W’s L, -, -;
in place R, -, -; turning RF sd L to the inside edge of W’s L trapping W’s ft
between both of M’s ft, -, -, -; (W bk R leaving L extended, -, -; hold, -, ;
hold, -, -;) |
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1- - 14-15 1-3 |
[BEHIND] Cross R bhnd L, -,
-; (W fwd L, -, -) [SIDE CLOSE] Sd
L, -, cl R LOD; (W sd R, -, cl L;) |
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1
16 |
[CORTE WITH SLOW LEG CRAWL & SLOW RISE] Sd & bk L with
bent knee leaving R leg extended; (W sd & fwd R with bent knee and a slow
leg crawl;) The music is extended and
as the start of meas. 17-24 approaches, the M will collect the W and rise. |
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17 -
24 |
RIGHT
FOOT BASIC;;;; CRADLE;; TURNING TANGO DRAW & CLOSE to COH;; |
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1- - 1- - 17-20 |
[RIGHT FOOT BASIC] Repeat
meas. 9-12 of PART A |
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1-3 1-3 19-22 |
[CRADLE] Repeat meas. 13-14
of PART A |
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1- - 1-3 23-24 |
[TURNING
TANGO DRAW & CLOSE to COH] Fwd
L trng LF, -, -; sd R, -, draw L to R & cl L to R to fc COH; (W bk R trng
LF, -, -; sd L, -, draw R to L & cl R;) |
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Note:
Music holds longer during meas. 23-24. |
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- ENDING - |
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1 –
12 |
START
THE BASIC MEN CLOSE;; BACK OCHO M STOP & TRAP;; STEP SIDE & SLIDE
LADY’S FOOT THREE TIMES;;;; ;; TURNING TANGO CLOSE RLOD;; |
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1- - 1-3 1-2 (1- - 1- -) |
[START THE BASIC MEN CLOSE] Repeat meas. 1-2 of PART B;;) |
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1- - 1 - - 3-4 (1- - 1- -) |
[BACK OCHO M STOP & TRAP] Sd L, swvl RF, -; step R with inside of R in contact with outside of
W’s L, bring inside of L in contact with inside of W’s L, -; (W bk L, swvl ½
RF, -; bk R leaving L ft extended, -, -; |
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1- - 1- - 5-10 1- - 1- - 1- - 1- - (- - - - - - - - - - - - - - - 1- -) |
[STEP
SIDE & SLIDE LADY’S FOOT THREE TIMES] M sd L, slide W’s L to his left with his R, -; in pl R, bring inside
of L in contact with inside of W’s L, -; sd L, slide W’s L to his left with
his R, -; in pl R, bring inside of L in contact with inside of W’s L, -; sd
L, slides W’s L to his left with his
R, -; small bk R, -, -; (W hold, allows L ft to be pushed side by M, -; hold,
-, -; hold, allows L ft to be pushed side by M, -; hold, -, -; hold, allows L
ft to be pushed side by M, -; in pl L swvl to fc partner, -, -;) |
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11-12 |
[TURNING
TANGO CLOSE] Repeat meas. 7-8 of
the PART A to fc RLOD;; |
13 -
20 |
START
THE BASIC MEN CLOSE;; BACK OCHO;; W’s MOLINETE M RONDE;; TURNING TANGO CLOSE
(LOD);; |
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13-20 |
Repeat meas. 1-8 of PART B to CP LOD;;;; ;;;; |
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21 - 24 |
BACK TO LA COBRA TWO TIMES;;;; |
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1- - 1- - 21-24 1- - 1- - |
[BACK
TO LA COBRA TWO TIMES] Bk R, -, -; Bk & sd L, swiveling RF to
SCP LOD bringing R bk & pointing, -; fwd R, swiveling rf ½ to fc RLOD, -;
Bk & sd L, swiveling RF to SCP RLOD bringing R bk & pointing, -; (W
fwd L, -, -; fwd R, swiveling RF to SCP, -; fwd L, -, -; W fwd R, swiveling
RF to SCP, -;) |
25 -
26 |
STEP
THRU; CORTE |
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1- -
25 |
[STEP
THRU] Step thru LOD R trng to fc partner, -, -; (W step thru L swvl LF
to fc partner, -, -;) |
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1- - 26 |
[CORTE]
Back L twisting LF with flexed knee releasing joined L hands and
placing on W’s back (W fwd R twisting LF and wrapping RT arm around M’s neck) |
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Note: |
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The
Argentine Tango Vals figures can be danced using three types of timing. |
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1. One step per measure, usually on the
first beat. |
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2. Two steps per measure, usually on the
first beat and the third beat. |
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3. Three steps per measure, one step on each
beat of music. |
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Definitions: |
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LA
CUNITA (CRADLE) – A figure involving a rocking motion. |
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LA COBRA – A figure involving an inside swivel
followed by a stepping through. |
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MOLINETE – A grapevine action |
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OCHO – A figure describing the number eight on the
floor by the Woman’s foot. |
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SACADA – A displacement of a leg or foot by the
partner’s leg or foot. |
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SENTADA – A chair. |
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STOP – Bringing a foot in contact with the
partner’s foot. |
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TRAP – Bringing both feet together with one of the
partner’s feet in between. |
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ZARANDEO – A shaking action |
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